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An
Interview With Michael "Catfish" Dosch
We cornered Michael Dosch, President of Axia, to
talk about Telos' new company.
Mike, thanks for taking time for this interview.
Let’s cut right to the chase: tell us about Axia.
Axia is the newly formed studio audio division of
Telos. We specialize in digital audio routing, mixing and
distribution systems for broadcast and other pro-audio
applications. Every Axia product is networked using Ethernet –
including audio, logic, control and program associated data, or
“PAD”. Devices connect together using standard Ethernet
cables; audio and control routing is accomplished with
off-the-shelf Ethernet switches. The foundational technology in
all Axia products is Livewire, a patent-pending protocol that
enables high-reliability, low-delay uncompressed digital audio
over Ethernet.
Why did Telos form a new company for this?
I'd like to tell you this was the plan all along,
but truthfully, we were surprised by the overwhelmingly positive
client-response to the Livewire concept. We realized that in order
to best serve the marketplace, we'd need to apply
focused energy to this new area. And we felt the best way to do
that was to spin up a new company. Axia is still part of Telos,
much the same way Omnia is part of Telos… we share certain
company resources, values, and technology, yet each company has
its own style and expertise. We find this structure helps us
remain well connected with our clients, even as the company grows.
Each company does whatever is necessary to ensure the success of
its own clients.
So
what did you do before grabbing the top job at Axia?
For the past few years, I’ve been leading
research and development for Telos and Omnia, with a particular
emphasis on incubating the Livewire program from concept to
product. Prior to that, I was managing director of Telos. And
before joining Telos in 1999, I was an executive with PR&E
(Pacific Research & Engineering), the console company. Funny
thing about broadcast consoles, once you design a few, they're
like an addiction...
Axia is the product of a lot of hard work from many
brilliant and committed Telos (and Omnia) people. It's a great
honor to have been selected to lead this new division.
Tell us about the motivation behind the
development of this technology.
This has been in the lab for quite some time. Our
work with high-end broadcasters often inspires great product ideas
and exposes us to new opportunities. One area in particular
captured our imaginations repeatedly: how could we improve
broadcast operations and enable new functions by tightly
integrating consoles, hybrids, codecs and PC audio systems? But
one huge obstacle kept surfacing: there was no simple way to
connect audio and control between studio devices. Every studio we
visited had a major mess of wires and connectors in just about
every imaginable format and style.
One
day, Steve [Church, founder & CEO of Telos] saw a
demonstration of a Cisco VoIP system and had a ‘light bulb’
moment: perhaps we could adapt the same technology that allowed
low-latency voice traffic to work reliably on an Ethernet for use
with PCM digital audio. If we could, a broadcast plant could be
easily built around Ethernet. This was the origin of Livewire.
The ‘vision’ part was simple: Ethernet connects
everything. Two devices connect with a single link of CAT-6 cable. Multiple devices connect through a switching Ethernet hub.
The same wire conveys audio, logic and control messaging, program
associated data (PAD), and even general IP traffic. Clean, simple,
elegant. Of course, the development was a bit harder than we had
imagined.
I’ll bet. Tell us about the challenges in
development and how you addressed them.
Well, we could have made this a lot easier on
ourselves if we had lowered our standards a bit! Audio over
Ethernet is not the hard part. Big buffers can cover a variety of
network-oriented problems, from lost packets to congestion. But
buffers introduce delay, and we wanted a system that could deliver
glitchless audio streams with as little delay as possible. In
fact, our latency target was under 1 millisecond per network hop.
And that wasn't the only place we made things hard
on ourselves. We also wanted to build a network without any single
points of failure. And we wanted to be able to route any audio
source to any or all audio destinations without limitation. Oh,
and we wanted to allow normal data traffic onto the same network
as the audio while guaranteeing the audio would always remain
solid and instant.
That sounds like a pretty tall order.
Yes, we set some very high standards for the
technology. But our team was up for the task, and the resulting
architecture is robust and distributed. It’s also very
low-latency to allow mic-to-headphone monitoring without
discernable delay. And Livewire can carry audio and other forms of
traffic all on the same net.
So how did you overcome all of the technical
challenges?
You can find out about that by visiting the "Tech"
portion of our website, but I will say that this work likely
represents the most ambitious R&D project ever attempted
within the radio equipment industry; it’s taken about 40
man-years of development so far with teams in both the US and
Europe, and we're still cranking out the ideas and product
variations.
How is the Axia system different from other,
similar systems on the market?
First let me say that there is really nothing else
like Livewire, in terms of using a non-proprietary network to
convey audio and control in a broadcast plant. There are a few
technologies out there that use Ethernet to carry audio, but they
are much higher latency, less flexible, and not commercialized for
broadcast use. The networked architecture provides Axia products
with unlimited scalability and dramatically reduced cost compared
with any other approach.
Regarding
similar product types, Axia products consolidate and replace a
wide variety of studio products, such as consoles, routing
switchers, sound cards, distribution amps, monitor/source
selectors, logic interfaces, et cetera. Axia products usually
represent a significant cost savings over the alternatives. For
example, a client recently asked us to quote on a 64x64
routing switcher configuration and was amazed to find that we were
about half the price of his other quotes. By taking advantage of
computer networking industry scale, we're able to dramatically
reduce costs even while increasing capabilities far beyond more
expensive solutions.
And if saving money on hardware isn't enough,
clients should also consider the cost of connectors, cables, patch
bays, punch blocks, and the labor to install it all. These costs
can really add up. Our products all interconnect with standard,
ubiquitous Ethernet cabling; it can be purchased off the shelf,
pre-made and molded, or clients can crimp their own. Not only is
it less expensive, but it's much faster than the alternatives
too – a huge facility can be wired in days instead of weeks.
Where is Axia headed? How do you envision the
evolution of the system over the next few years?
We have a number of very exciting ideas working
their way through the lab. A modular
control surface is in development now that brings the best
ideas of SmartSurface into a scalable surface for smaller (and
larger) applications. We are soon to announce partnerships with
software developers who will have versions of their audio
applications that can communicate audio and control directly to an
Axia network, eliminating the need for soundcards. We have some
great features planned for the DSP Studio Mix Engine software to
further enhance studio operations. And our friends at Telos and
Omnia are planning some cool new products to also interface
directly with the network. The future is bright indeed.
Okay, one last question. How did you get the
nickname Catfish?
You think I was always this respectable? When I was
young and foolish and running with a biker gang, I once...
Enough. Sorry I asked.
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